Alzamora Valdez Building / Ministry of
Education — Enrique Seoane Ros (1951– 1956), 2025.
Stoneware, 64cm x 72cm x 30cm.
Electronic components factory for Reliance Controls Limited, Swindon, Wiltshire
Team 4, Swindon, England, 1967
INMOS Microprocessor Factory — Coordinates: 51°33′57″N 3°01′21″W
Newport, UK — 1980
PA Technology Laboratory Research Facility
Cambridge, United Kingdom, 1983
Regional Information Center — Nemours
France, 1975
Benetton Group's industrial complex in Castrette di Villorba
Treviso, Italy, 1980
Civic Center with the City Hall and a Junior High School
A + U E8803 Italian Architecture
Civic Center with the City Hall and a Junior High School and Sports Ground
A + U E8803 Italian Architecture
Residential Complex Monte Amiata Gallaratese 2
A + U E8803 Italian Architecture
Benetton Production Facility — 1992-1995
Treviso, Italy
Ernstings Warehouse (detail) — 1983-1985
Coesfeld, Germany
Kitakyushu Central Library, Kitakyushu City
1973-1975
Ernstings Warehouse (detail) — 1983-1985
Coesfeld, Germany
Artist and Writer
lcpasara@gmail.com
NO INSTAGRAM
Lucas Cornejo Pásara (Lima, Peru, 1997) is an artist and writer whose practice brings together sculpture, ceramics, drawing, fiction, and archival research. His work explores archaeology, architecture, and the promises and failures of modernity in Peru, examining how cultural histories are constructed, preserved, and forgotten.
Through Grupo Lurín, a fictional art and research collective he founded, he develops interconnected projects attributed to different authors and characters. Working between documentary testimony and invention, he approaches the archive as an artistic medium.
He studied Humanities at the Pontifical Catholic University of Peru and World and Comparative Literature at the Complutense University of Madrid. He is the author of the short story collection Impresiones (2022) and is developing an experimental novel based on the modern art collection of the Lima Art Museum (MALI).
Education
Pontificia Universidad Católica del Perú
BA in Humanities, Latin American Studies
Graduated first in class
Universidad Complutense de Madrid
Visiting Student, World and Comparative Literature
2022–2023.
Artist and Researcher
antonimosupe@gmail.com
NO INSTAGRAM
Antónimo Supe (Lima, Perú, 2001) is an artist and researcher associated with Grupo Lurín. His work examines the architectural traces of Peruvian history, bringing pre-Columbian construction and modern urban projects into a shared field of inquiry.
In his series Obra Moderna, buildings constructed in Lima between 1930 and 1980 reappear as fragile ceramic ruins. These works approach modern architecture as archaeological evidence, tracing the distance between its promises and its material afterlives.
Supe is also credited with the recovery of a set of drawings attributed to the Italian naturalist Luigi Balzan, dated 1892. These plates document construction systems in the Lima valleys through architectural views, details, and hypothetical reconstructions. Across these projects, his practice moves between making objects and recovering documents, leaving the boundaries between discovery, reconstruction, and authorship unresolved.
Education
Universidad Nacional de Ingeniería (UNI), Lima, Peru
Studies in Architecture (degree not completed)
Solo Shows
(upcoming)
OBRA MODERNA
Galería Livia Benavides
Lima, Peru
2027
(upcoming)
Lazzaretto
Research Office, Venosa Archaeological Centre
Venosa, Basilicata, Italy
2026
Dr. Balzán’s 1892 Plates Discovered by Antónimo Supe
ProyectoAmil
Ardez, Switzerland
2026
Group Shows
Mala Imagen
Pinacoteca, Universidad de Concepción
Concepción, Chile
2026