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                        <loc>https://lucascpasara.com/intro</loc>
            
            
            <lastmod>2026-09-21T17:52:29+00:00</lastmod>
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&lt;br /&gt;
Alzamora Valdez Building / Ministry of&lt;br /&gt;

&lt;br /&gt;
Education — Enrique Seoane Ros (1951– 1956), 2025.&lt;br /&gt;

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Stoneware, 64cm x 72cm x 30cm.&lt;br /&gt;





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&lt;br /&gt;
Alzamora Valdez Building / Ministry of&lt;br /&gt;

&lt;br /&gt;
Education — Enrique Seoane Ros (1951– 1956), 2025.&lt;br /&gt;

&lt;br /&gt;
Stoneware, 64cm x 72cm x 30cm.&lt;br /&gt;





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            <url>
                        <loc>https://lucascpasara.com/project-001</loc>
            
            
            <lastmod>2026-09-26T12:23:25+00:00</lastmod>
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                                            <image:caption>“Dr. Balzan’s 1892 Plates Discovered by Antónimo Supe”, ProyectoAMIL, Ardez, Switzerland, 2026.&lt;br /&gt;
&lt;br /&gt;
This series presents a set of plates attributed to the Italian naturalist Luigi Balzan, supposedly recovered by Antónimo Supe. The drawings document construction processes &lt;br /&gt;and architectural systems
of various pre-Columbian cultures in the Lima valleys. Through general
views, enlarged details, and hypothetical reconstructions, &lt;br /&gt;the plates combine the language of 19th-century scientific illustration with contemporary research into archives, representation, and memory.&lt;br /&gt;



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            <url>
                        <loc>https://lucascpasara.com/project-002</loc>
            
            
            <lastmod>2026-09-26T12:27:27+00:00</lastmod>
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&lt;br /&gt;
Sin Título 1 - Photographic series, 2026&lt;br /&gt;

&lt;br /&gt;
Presented as part of Mala Imagen – Festival de Fotografía del Biobío, this photographic series explores the relationship between perception, materiality and memory. &lt;br /&gt;
Made in the Swiss Engadin, the images approach the camera not as a transparent instrument of representation, but as a perceptual system with its own way of constructing the visible. At the same time, &lt;br /&gt;
they focus on objects and surfaces whose textures bear traces of use, erosion, weather and transformation.The series emerges from the encounter between these two forms of recording: the camera, &lt;br /&gt;
which translates the visible according  to its own perceptual logic, and matter itself, which accumulates and transforms the traces of time.&lt;br /&gt;



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        </url>
            <url>
                        <loc>https://lucascpasara.com/project-003</loc>
            
            
            <lastmod>2026-09-26T12:35:11+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2245026616631830586239863302748/Afra-and-Tobia-Scarpa--Benetton-Production-Facility--1992-1995--Treviso--Italy.jpg</image:loc>
                                            <image:caption>Tauro Cinema — Walter Weberhofer, 1958&lt;br /&gt;

Stoneware&lt;br /&gt;

22cm x 53cm x 38cm&lt;br /&gt;

2025&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/F3144249988233255462067524666575/DSC_6521.jpg</image:loc>
                                            <image:caption>Tauro Cinema — Walter Weberhofer, 1958&lt;br /&gt;

Stoneware&lt;br /&gt;

22cm x 53cm x 38cm&lt;br /&gt;

2025&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L3144250789264670118831094039759/DSC_6446.jpg</image:loc>
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&lt;br /&gt;
Miraflores Bathing Complex / Costa Verde — Héctor Velarde, 1934–1935&lt;br /&gt;

Stoneware&lt;br /&gt;

28cm x 150cm x 34cm&lt;br /&gt;

2026 &lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F3144251572919251858160265790671/DSC_6615.jpg</image:loc>
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Neptuno Building — Alberto Menacho, 1958&lt;br /&gt;

Stoneware&lt;br /&gt;

44cm x 16cm x 24 cm&lt;br /&gt;

2025&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/Q3144252680996721621819321812175/DSC_6467.jpg</image:loc>
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&lt;br /&gt;
Ostolaza Building — Enrique Seoane Ros, 1951–1953&lt;br /&gt;

Stoneware&lt;br /&gt;

36cm x 70cm x 50cm&lt;br /&gt;

2026&lt;br /&gt;



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        </url>
            <url>
                        <loc>https://lucascpasara.com/profile</loc>
            
            
            <lastmod>2026-09-26T12:42:11+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://lucascpasara.com/middle-nav</loc>
            
            
            <lastmod>2026-09-21T17:52:29+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://lucascpasara.com/bottom-nav</loc>
            
            
            <lastmod>2026-09-21T17:52:31+00:00</lastmod>
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            <url>
                        <loc>https://lucascpasara.com/top-nav-(mobile)</loc>
            
            
            <lastmod>2026-09-21T17:52:31+00:00</lastmod>
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